Composition portfolio

dc.contributor.advisorBrukman, Jeffrey James
dc.contributor.authorLemmer, Elizabeth Kate
dc.date.accessioned2026-03-04T07:07:10Z
dc.date.issued22-Apr
dc.description.abstractIn this portfolio I reflect on issues Covid-19 has brought to our communities and the possibilities of creating a brighter future. My music reflects the struggle that most people have faced in the last two years, the emotions and the conspiracies surrounding the experience, and the effect of solitude. In a time such as this it is almost inevitable that the music being composed is connected to the struggle in society at large. For ma composition is a journal of the heart. The pandemic has created a situation where most are out of touch with each other, have lost all previous routine and structure, where relationships are broken due to lack of personal contact, and almost everyone has unwillingly (or unwittingly) been thrust into self-reflection. Every day sees a new struggle to squeeze in all those pre-pandemic ideals so that some normalcy can be obtained, but this is not a time to be looking back. It's a time to understand what we are going through, build new joy and excitement for this different life and learn to live the best we can with the opportunities we are given. There has not been a more important time to foster some form of connection with friends and family, and to be as strong and supportive as possible. The portfolio begins with a solo violin piece, Unwelcome Solitude, which exemplifies the loneliness and sadness during the various lockdowns over the last two years, with hints of the past and the difficulties in trying to resurrect pre-Covid-19 times. There are some unusual expressive markings to add to the descriptive effect within the piece. This is followed by The Pandemic, two serialism works: Panic and Pain scored for a string quartet. Both of these pieces apply a flexible use of serialism to emphasize out the emotional aspects of the music, and quite simply; the panic and the pain caused by Covid-19 and the country's response to the pandemic as a whole. Finally there is a three movement chamber piece titled A Storm Series which quite literally represents the series of events that occur from the upcoming to the closure of a typical Highveld storm. Further than this, these pieces represent the series of events that occurred in South Africa from the first rumour of the Covid-19 virus starting to circle around the world, through the various lockdowns and progression of events in our country and abroad. The final movement of this series, Re-awakening, ends on a positive note representing the rainbow at the end of the storm, and the positive outlook for South Africa to keep persevering through the pandemic.
dc.description.degreeMaster's thesis
dc.description.degreeMMus
dc.format.extent203 pages,notated music
dc.format.mimetypeapplication/pdf
dc.identifier.otherhttp://hdl.handle.net/10962/232624
dc.identifier.urihttps://researchrepository.ru.ac.za/handle/123456789/4748
dc.languageEnglish
dc.publisherRhodes University, Faculty of Humanities, Department of Music and Musicology
dc.rightsLemmer, Elizabeth Kate
dc.subjectComposition (Music)
dc.subjectMusic -- South Africa
dc.subjectCOVID-19 (Disease) and the arts
dc.subjectEmotions in music
dc.subjectViolin music Scores
dc.subjectString quartets Scores
dc.subjectChamber music Scores
dc.titleComposition portfolio
dc.typeAcademic thesis

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