The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness

dc.contributor.authorTruter, Orlando Vincent
dc.date.accessioned2026-03-09T12:22:53Z
dc.date.issued2008
dc.description.abstractFrom Introduction: Ankoku Butoh is a performing art devised in Japan in the wake of the Second World War by the dancer and choreographer Tatsumi Hijikata (born Akita, 1928; died Tokyo, 1986). A highly aesthetic and subversive performing art, Butoh often evokes "images of decay, of fear and desperation, images of eroticism, ecstasy and stillness." Typically performed with a white layer of paint covering the entire body of the dancer, Butoh is visually characterized by continual transformations between postures, distorted physical and facial expressions, and an emphasis on condensed and visually slow movements. Some of the general characteristics of Butoh performance include "a particular openness to working with the subtle energy in the body; the malleability of time; the power of the grotesque."
dc.description.degreeMaster's thesis
dc.description.degreeMA
dc.format.extent113 pages
dc.format.mimetypeapplication/pdf
dc.identifier.urihttps://researchrepository.ru.ac.za/handle/123456789/9626
dc.languageEnglish
dc.publisherRhodes University, Faculty of Humanities, Department of Drama
dc.rightsTruter, Orlando Vincent
dc.subjectHijikata, Tatsumi, 1928-1986
dc.subjectButÅ
dc.subjectModern dance -- Japan
dc.subjectDancers -- Japan
dc.subjectChoreographers
dc.titleThe originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness
dc.typeAcademic thesis

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