The working method of the modern painter

dc.contributor.authorGrant, David
dc.date.accessioned2026-06-17T08:06:27Z
dc.date.issued1977
dc.description.abstract[From Introduction]. Prior to 1800 advances made in painting could often be accredited to the advances made in paint technology. Since the beginning of the last century however, paint technology has stabilised, moved into the background and allowed the artist to create with the medium rather than be dictated to by it. This stabilising of art technology has also generated a lack of interest in technique, leading in turn to a number of painting techniques being lost. In some ways we know less today of the oil medium and its correct use than was known to Jan and Hubert Van Eyck and their followers. However, if this lack of concern with technique has produced a large number of valid artistic statements which are unlikely to survive physically, it also means that the hoardes of painters who painted technically perfect paintings with no valid art statement have dwindled as well.
dc.description.degreeMaster's thesis
dc.description.degreeMFA
dc.format.extent36 pages
dc.format.mimetypeapplication/pdf
dc.identifier.otherhttp://hdl.handle.net/10962/d1014984
dc.identifier.urihttps://researchrepository.ru.ac.za/handle/123456789/11010
dc.languageEnglish
dc.publisherRhodes University, Faculty of Humanities, Department of Fine Art
dc.rightsGrant, David
dc.subjectPainting, Modern -- 20th century
dc.subjectPainting -- Technique
dc.titleThe working method of the modern painter
dc.typeAcademic thesis

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
vital_2503+SOURCEPDF+SOURCEPDF.0.pdf
Size:
3.45 MB
Format:
Adobe Portable Document Format