Portfolio

dc.contributor.authorHogge, Quentin Edward Somerville
dc.date.accessioned2026-03-03T13:13:16Z
dc.date.issued2013
dc.description.abstractMy initial intention is to try to show how, as a poet in South Africa, I suffer from a creative identity crisis. I am a white English-speaking male. I live surrounded by isiXhosa-speaking people. Is my poetry, or will my poetry be, relevant in the 'New' South Africa? Is English, the language of the colonial oppressors, the appropriate medium in the post-apartheid milieu? Will my subject matter be relevant? These questions and my attempts at answering them, form the basis of the poetry and the portfolio that accompanies the poems. My absorption with finding a creative 'voice', my concerns with the environment and a questioning of what post-apartheid poetry should write about all seem a bit Quixotic, especially to me! But at another level, they are deeply serious. (p. 5.)
dc.description.degreeMaster's thesis
dc.description.degreeMA
dc.format.extent120 pages
dc.format.mimetypeapplication/pdf
dc.identifier.otherhttp://hdl.handle.net/10962/d1001813
dc.identifier.urihttps://researchrepository.ru.ac.za/handle/123456789/4058
dc.languageEnglish
dc.publisherRhodes University, Faculty of Humanities, Institute for the Study of English in Africa
dc.rightsHogge, Quentin Edward Somerville
dc.subjectPoetry
dc.subjectPost-apartheid
dc.subjectEnvironment
dc.subjectSouth African poetry (English) -- 21st century
dc.subjectCreative writing (Higher education)
dc.subjectEnglish language -- Writing
dc.titlePortfolio
dc.typeAcademic thesis

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