Changes in pictorial construction and types of representation which formed the basis of modern art

dc.contributor.author	Collins, Anne Marie
dc.date.accessioned	2026-06-17T07:55:04Z
dc.date.issued	1986
dc.description.abstract	The erosion of traditional French academic methods of picture-construction, and the eclipse of hierarchical subject-matter, ensured the emergence of a diversity of new painting styles in France by 1900 and the possibility of even more drastic departures from tradition in the 20th century, particularly in the work of Picasso, from 1900 to 1914.
dc.description.degree	Master's thesis
dc.description.degree	MFA
dc.format.extent	323 pages
dc.format.mimetype	application/pdf
dc.identifier.other	http://hdl.handle.net/10962/d1010579
dc.identifier.uri	https://researchrepository.ru.ac.za/handle/123456789/10926
dc.language	English
dc.publisher	Rhodes University, Faculty of Humanities, Department of Fine Art
dc.rights	Collins, Anne Marie
dc.subject	Picasso, Pablo, 1881-1973
dc.subject	Art, French -- 19th century
dc.subject	Art, French -- 20th century
dc.title	Changes in pictorial construction and types of representation which formed the basis of modern art
dc.type	Academic thesis

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