Analysis of selected choral works by John Tavener with particular reference to the post-1977 works

dc.contributor.advisorRadloff, Tim
dc.contributor.authorImrie, Sally
dc.date.accessioned2026-06-17T06:00:53Z
dc.date.issued1998
dc.description.abstractThis thesis deals with sacred choral music written by John Tavener, a British composer born in 1944. It touches briefly on the background of Tavener and his early works (i.e. from about 1960-1976) - two works from that period have been selected for analysis, Celtic Requiem and Nomine Jesu. The main body of the thesis is concerned with those works composed,.after 1977, which show the influence of the Orthodox Church and Byzantine hymnography on Tavener's stylistic development. The selected works from this period to be analysed are: Ode of St Andrew of Crete, Two Hymns to the Mother of God, Magnificat, Nunc Dimittis, The Uncreated Eros, Eonia and We Shall See Him As Heis.
dc.description.degreeMaster's thesis
dc.description.degreeMMus
dc.format.extent124 pages
dc.format.mimetypeapplication/pdf
dc.identifier.otherhttp://hdl.handle.net/10962/d1002307
dc.identifier.urihttps://researchrepository.ru.ac.za/handle/123456789/10304
dc.languageEnglish
dc.publisherRhodes University, Faculty of Humanities, Department of Music and Musicology
dc.rightsImrie, Sally
dc.subjectTavener, John
dc.subjectChoral music
dc.titleAnalysis of selected choral works by John Tavener with particular reference to the post-1977 works
dc.typeAcademic thesis

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