Red cotton

dc.contributor.advisorWessels, Paul
dc.contributor.authorGantsho, Vangile
dc.date.accessioned2026-03-06T07:23:55Z
dc.date.issued2017
dc.description.abstractMy collection of poetry is a deeply personal exploration of what it means to be black, queer, and woman in modern-day South Africa. I interrogate being non-conformist in both a traditional-cultural upbringing and a more liberal yet equally-oppressive urban socialisation. I question what we are taught about the body and the feminine sexual space, while also addressing the mother-daughter relationship as the first and most constant reference of womanhood. The collection moves fluidly between the erotic, the uncomfortable and grotesque, what is painful, and what is beautiful and longed-for. Working promiscuously across forms, I employ prose poetry, interspersed with lyrical interludes, in an attempt at a narrative effect similar to what Claudia Rankine achieves in Don't Let Me Be Lonely. I also draw from writers such as Calixthe Beyala (Your Name Shall Be Tanga), and Janice Lee (Damnation), as well as sex guides, women's blogs, and feminist poetry.
dc.description.degreeMaster's thesis
dc.description.degreeMA
dc.format.extent56 pages
dc.format.mimetypeapplication/pdf
dc.identifier.urihttps://researchrepository.ru.ac.za/handle/123456789/9211
dc.languageEnglish
dc.publisherRhodes University, Faculty of Humanities, Institute for the Study of English in Africa
dc.rightsGantsho, Vangile
dc.subjectCreative writing (Higher education) -- South Africa
dc.subjectSouth African poetry (English) 21st century
dc.subjectSouth African poetry (English) Black authors
dc.subjectLesbians, Black Poetry
dc.titleRed cotton
dc.typeAcademic thesis

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