A critical exploration of the personal experiences of the shifting womanhoods practices and values between the traditional and contemporary contexts of the Basotho cultural group
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Rhodes University, Faculty of Humanities, Department of Sociology
Abstract
Womanhood rites of passage fulfill the purpose of integrating young girls into accepted womanhood roles, ideals, definitions, and expectations. Traditional Basotho womanhood rites of passage have become less popular in the modern context, with alternative womanhood practices and spaces populating the contemporary Basotho context. Through a qualitative methodology, this study explores three Basotho womanhood spaces insofar as they define and construct womanhood for the participants. Additionally, this thesis critically explores the personal experiences of the shifting womanhoods practices and values between the traditional and contemporary contexts of the Basotho women. It draws on the in-depth accounts of nine women of different ages and backgrounds and participating or having participated in one of three womanhood spaces: Lebollo la basali, Pitiki ea bomme, and Makoti. This study leans on African Feminist theory to engage these experiences and further relies on the qualitative methodology, using semi-structured interviews to collect data.