The role of memory, museums and memorials in reconciling the past : the Apartheid Museum and Red Location Museum as case studies

dc.contributor.advisorJamal, Ashraf
dc.contributor.authorSippel, Elizabeth
dc.date.accessioned2026-06-17T08:01:37Z
dc.date.issued2011
dc.description.abstractWhen South Africa became a democracy, many of its cultural institutions were tainted by the stigma of having been tools for the production and propagation of apartheid ideology. This thesis examines two key facets of post-apartheid museums and memorials. Firstly, how they have repositioned themselves as institutions of cultural and social standing. Secondly, their role as tools of nation building, social change, and creators of national collective memory within the new democratic South Africa. Through an analysis of cultural memory theory pertaining to museology, this study elaborates on the methods employed by museums to incorporate memory into their narratives and in turn, transfer collective memory to their viewers. This thesis provides a comparative study of the architectural, memorial and museological strategies of two post-apartheid museums; the Red Location Museum and the Apartbeid Museum. It examines the contributions of both museums to the introduction of new museological strategies for the successful creation and transmission of South African collective memory. Through this analysis, both the invaluable contributions and the drawbacks of post-apartheid museums as tools for the promotion of new democratic ideologies and philosophies are considered. This thesis does not resolve the arguments and questions which have surfaced regarding cultural institutions as tools for the promotion of reconciliation and the construction of national collective memory within South Africa. As the current climate of memorialisation is one of change and paradox, it is presently impossible to fully quantify post-apartheid museums' roles within South Africa's move toward reconciliation and social change. However, the examination of both the Red Location Museum and the Apartheid Museum reveals the extraordinary change that South African cultural institutions have undergone in addition to their potential to become institutions which facilitate active reconciliation as well as social and cultural growth.
dc.description.degreeMaster's thesis
dc.description.degreeMA
dc.format.extent184 pages
dc.format.mimetypeapplication/pdf
dc.identifier.otherhttp://hdl.handle.net/10962/d1005773
dc.identifier.urihttps://researchrepository.ru.ac.za/handle/123456789/10945
dc.languageEnglish
dc.publisherRhodes University, Faculty of Humanities, Department of Fine Art
dc.rightsSippel, Elizabeth
dc.subjectApartheid Museum (Johannesburg, -- South Africa)
dc.subjectRed Location Museum (Port Elizabeth, -- South Africa)
dc.subjectAtrocities -- Museums
dc.subjectApartheid and art
dc.subjectApartheid -- History
dc.subjectHistorical museums
dc.subjectCollective memory
dc.subjectMemorialization
dc.subjectHistory -- Psychological aspects
dc.subjectMemory (Philosophy)
dc.subjectMuseum exhibits -- Historiography
dc.subjectMuseums -- Historiography
dc.titleThe role of memory, museums and memorials in reconciling the past : the Apartheid Museum and Red Location Museum as case studies
dc.typeAcademic thesis

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