Coleridge on drama

dc.contributor.advisor	De Villiers, AndreÌ
dc.contributor.author	Wagstaff, Brian John
dc.date.accessioned	2026-03-10T06:53:47Z
dc.date.issued	1973
dc.description.abstract	From Introduction: In the Preface to his book The idea of Coleridge's Criticism, Richard Harter Fogle states: There is... I am confident, a need for such a study as I here introduce; a study of Coleridge's criticism in itself, tentatively accepting the metaphysical assumptions on which it is based and focusing upon its central principles and inner relationship; endeavouring without direct regard for its external connections to the past and the present to see it as a whole, yet at the same time anxiously regardful of its permanent significance and its bearing upon practical criticism. These are the principles on which I have based this thesis, applied more particularly to Coleridge's criticism of drama.
dc.description.degree	Master's thesis
dc.description.degree	MA
dc.format.extent	350 pages
dc.format.mimetype	application/pdf
dc.identifier.uri	https://researchrepository.ru.ac.za/handle/123456789/9717
dc.language	English
dc.publisher	Rhodes University, Faculty of Humanities, Department of Literary Studies in English
dc.rights	Wagstaff, Brian John
dc.subject	Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works
dc.subject	Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation
dc.subject	English drama -- 18th century -- History and criticism
dc.title	Coleridge on drama
dc.type	Academic thesis

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